For the second straight year, Ed Carpenter enters the new IndyCar season having had all winter to enjoy being the last race winner of the previous season.
Now, the Fontana winner was back on track for the first time this year, as part of a private testing session at Sonoma Raceway in California.
Carpenter and the Ed Carpenter Racing team opted to skip last week’s test at Sebring to concentrate on the flowing Sonoma road course, which unlike Sebring, actually has a date on the 2013 IZOD IndyCar Series calendar.
“Anytime there are people testing somewhere and you’re not there you feel like you’re missing something, but we’ll get our turn this week and we’re excited about that,” Carpenter said.
It wasn’t just Carpenter who had a shot at the team’s No. 20 Fuzzy’s Vodka Dallara-Chevrolet. Ryan Hunter-Reay, the defending IndyCar champion, had a few laps in the car on Wednesday.
An ECR team spokesman confirmed Hunter-Reay was helping Team Chevy with some developments, as part of a collaborative effort between ECR, Andretti Autosport and Team Chevy. A similar occurrence came in Fontana last December, when Marco Andretti ran the car.
Carpenter struggled in road and street course qualifying a year ago, starting from 20th or worse in the first nine street and road course races. But at Baltimore, the tenth and last of the year, Carpenter and the team adeptly nailed a good enough time in the preliminary round of qualifying to advance into the second round as others hit issues. The eighth place spot on the grid is the best of his career on such a circuit.
“We felt we were getting better with our street circuit setups and Baltimore was a good qualifying performance for us,” he said. “So getting back on the road course at Sonoma will help us work on that process. It will feel great to be back in the race car again.”
Besides Carpenter, entries from Panther and DRR (JR Hildebrand, Oriol Servia), Dragon Racing (Sebastians Bourdais and Saavedra), KV Racing Technology (Tony Kanaan, Simona de Silvestro) and Sam Schmidt’s two cars (Tristan Vautier in No. 55 Schmidt Peterson Motorsports Dallara-Honda, Simon Pagenaud in No. 77 Schmidt Hamilton Motorsports Dallara-Honda) tested Wednesday.
Vicki Golden and 805 Beer tell a unique story from an Inverted Perspective
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”