Lewis Hamilton has ended his run of poor performances during Friday’s practice sessions by finishing quickest in FP1 at Monza this morning.
The British driver posted a fastest time of 1:25.565 to finish just a fraction ahead of home favorite Fernando Alonso, with the Ferrari driver trailing by 0.035 seconds. Capping off a good morning for Mercedes was Nico Rosberg in third, who put in some good times on the hard tire late on to move ahead of two-time Italian GP winner Sebastian Vettel. The Red Bull driver was forced to settle for fourth come the checkered flag.
McLaren showed signs of a resurgence by finishing in sixth and seventh with Sergio Perez leading Jenson Button, whilst Pastor Maldonado and Esteban Gutierrez also impressed to end up ninth and eleventh respectively. Sauber have gambled on using the passive DRS device on their car this weekend, despite the low downforce nature of Monza appearing to eradicate any advantage that could be gained by using it.
James Calado, Heikki Kovalainen and Rodolfo Gonzalez all enjoyed run-outs as part of their reserve driver duties on Friday morning. Calado put in a very strong performance, finishing seventeenth and ahead of Nico Hulkenberg, who suffered a gearbox failure late on. Kovalainen and Gonzalez could not match the pace of their colleagues, with the 1.6 second gap between Chilton and Gonzalez being cause for concern at Marussia.
The session ended with a strange incident for Ferrari. Fernando Alonso was attempting a practice start at the end of the pit-lane and teammate Felipe Massa looked to pass him with a few seconds remaining. However, the red light came on, thus closing the pit lane and forcing the Brazilian driver to hit the brakes and take evasive action. Although Alonso managed to continue, Massa was forced to leave his Ferrari at the end of the pit lane and walk back on foot.
Mercedes will be pleased to have begun the weekend in such impressive fashion, but with the soft tire running yet to take place, it is hard to tell just whether or not Hamilton will be able to secure his fifth consecutive pole position at Monza on Saturday.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”