With the IndyCar season in the books and a limited amount of news to come since the season finale at Fontana, my MotorSportsTalk colleague Chris Estrada and are taking a look back at the 2013 season just past. Chris and I each ranked our top 10 drivers and some of the biggest stories; now we take a look back at the field driver-by-driver.
P26 and a man who racked up the frequent flier miles this year across various series and types of cars, Ryan Briscoe…
2013: 26th Place (7 Starts), Best Finish 12th, Best Start 9th, 0 Laps Led, 17.7 Avg. Start, 16.3 Avg. Finish
DiZinno says: I wonder if Briscoe’s heart was still in open-wheel even though he had a plum sports car opportunity with Level 5 Motorsports this year, because it was as weird a season trajectory as I’ve seen in ages. Despite committing to Scott Tucker’s massive operation in the American Le Mans Series, Briscoe got a deal done with Chip Ganassi for a fourth car at Indy. In June, his season got weird. He raced for Panther Racing in Detroit, replacing Hildebrand, then flew to Le Mans for scrutineering with Level 5, flew back to Milwaukee for Panther, flew back to Le Mans for the race, then did a weird Lime Rock/Pocono weekend doubleheader in July for both teams. All the ride shuffling went for naught when Briscoe broke his wrist in Toronto and missed a month of action in both cars. Unsurprisingly, the lack of consistency on the IndyCar side meant that a guy who’d been one of the six or seven best drivers over the last half dozen years didn’t garner a single top-10 result in his seven starts.
Estrada says: With all the back-and-forth he had to do this year between his full-time American Le Mans Series ride and his part-time IndyCar duties at Ganassi and then Panther, let’s hope Briscoe got himself some serious airline rewards. Combined with his wrist injury at Toronto, it’s easy to see why he was unable to enjoy much open-wheel success in 2013. A Top-10 finish got away from him in Detroit Race 1 when he spun out with four laps left, and in his remaining races with Panther, he was unable to break a chain of mid-pack results. His best finish of the year came with Ganassi at the Indy 500, but that, too, was relatively ho-hum.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”