Justin Wilson announced Wednesday he will return to Dale Coyne Racing for his third consecutive IndyCar Series season with the team, after returning to the squad in 2012. The 2014 season will mark his 11th straight year in the top level of North American open-wheel racing since his debut in 2004, a year after his single season in Formula One.
Wilson made the announcement during a series conference call. The team is yet to make a formal announcement, but with limited openings elsewhere on the grid, Wilson’s uncanny ability to upset the bigger teams will likely be on display once more in 2014.
“I was waiting to see if Dale would be taking up my option; we’re trying to make the necessary improvements,” said Wilson, who finished sixth in the 2013 points and likely would have been higher had he not had an accident in the season finale at Fontana.
“We’ve had a lot of discussions. He’s trying to be more consistent to make things easier,” he added. “We had some good performances last year, and feel we need to work on some consistency, in every aspect. The other teams have a couple more people, and can analyze that.”
Wilson is fully recovered from his injuries, resumed training and racing in this weekend’s Rolex 24 at Daytona with Michael Shank Racing. He’ll co-drive with the same trio he won overall in 2012, AJ Allmendinger, Ozz Negri and John Pew.
Additionally, Wilson confirmed Michael Cannon will work as his race engineer. Cannon engineered E.J. Viso’s fourth Andretti Autosport entry in 2013, and shifts to his sixth different team in five seasons (2010 HVM Racing with Simona de Silvestro, 2011 KV Racing Technology with Tony Kanaan, 2012 part-time with Ed Carpenter Racing and Carpenter, also was with Dragon Racing at Sonoma).
No timeframe was determined on figuring out who may slot in as Wilson’s teammate. Wilson had five different teammates in 2013 (Ana Beatriz, Pippa Mann, Mike Conway, Stefan Wilson, James Davison) and told MotorSportsTalk he’d like to have “just one teammate” if possible this year.
The team is likely to have its first test of the new year on February 3 at Sebring.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”