The TUDOR United SportsCar Championship premieres this weekend with the Rolex 24 at Daytona. We’ll have sporadic posts and updates for the season opener of the unified series, which brings together the GRAND-AM Rolex Series and American Le Mans Series.
Last in our list of class previews is the GTD class.
WHAT IT IS: The second GT class, but the most heavily-populated class in the field. GTD, standing for GT Daytona compared to GTLM for GT Le Mans. Open cars, Continental tires, and like PC, requires at least one Silver/Bronze driver for three-driver lineups and two for four or five-driver lineups. SRT, BMW, Ferrari and Aston Martin have GT3-spec or close versions of their GTE-spec cars in this class; Porsche has a brand new customer car built specifically for the TUDOR Championship while Audi features five strong entries to round out the class.
WHO THEY ARE: 29 cars strong, from six different manufacturers, driven by a mix of sports car veterans, IndyCar interlopers and gentlemen drivers.
A QUICK BREAKDOWN: Porsche leads the field with 12 of the 29 entries; there are eight Ferraris and five Audis to make up 25 of the 29 cars. Two Aston Martins and a single BMW and SRT Viper apiece make up the grid.
Other than the pair of Muehlner Motorsports America Porsches, which have a primarily gentlemen lineup, or several of the Ferraris, which feature the same strategy, there’s upwards of 20 cars likely to battle for even top-10 positions in class. Picking a winner from there is nigh on impossible.
WHO TO WATCH: A mix of factory drivers, talented Silvers (who may be rated lower than they deserve, due to results), and emerging talents moonlighting from overseas all have the potential to star at Daytona.
In no specific order, some of the names you’ll likely be hearing from over 24 hours… Leh Keen and/or Shane van Gisbergen (No. 22), Marco Holzer (No. 23), Marc Lieb and/or Andrew Davis (No. 27), Jeroen Bleekemolen (No. 33), Filipe Albuquerque (No. 35), Andy Lally and/or Wolf Henzler (No. 44), Spencer Pumpelly and/or Markus Winkelhock (No. 45), Oliver Jarvis (No. 46), Rene Rast (No. 48), Davide Rigon (No. 49), Matt Griffin (No. 51), Jan Heylen (No. 58), Toni Vilander (No. 63), Timo Bernhard (No. 71), Mikhail Aleshin (No. 72), Kevin Estre and/or Connor De Phillippi (No. 73), Damien Faulkner (No. 81), Dane Cameron (No. 94) and James Davison (No. 007).
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”