When it was confirmed that Formula 1 would be downsizing from V8 engines to turbocharged V6s, the big question was “how will this affect the sound of the sport?” Part of the series’ appeal and schemata is the distinct screeching sound of the cars, but it appears that the new power units have divided opinion in this respect.
For many in the paddock, the new engine sound is lacking the gusto of its predecessor. Typically, working outside in the paddock during a session can be troublesome for broadcasters due to the sound of the cars. However, this time around, there wasn’t this same volume. Some journalists tweeted about how quiet it was in the media centre without the sound of a V8 engine ringing throughout the paddock.
Weird how quiet it is in the media room – not too sure about FIA’s claim that they’re only slightly quieter than last year.
Force India team owner Vijay Mallya spent the second practice session hanging over the side of the pitwall, watching the cars come along the main straight. When approached by the FOM world feed cameras, Mallya said: “The noise of Formula 1 has gone!” Former F1 driver and now British TV pundit Martin Brundle even remarked how trackside he could cope without wearing ear protection.
I like the sound of the new engines there just not enough of it, turbos strangle it. ‘Noses’ and ‘noise’ on the to-do list for 2015 please.
Marussia’s Max Chilton posted a picture of a fighter jet to Instagram, saying: “Finally some noise returns to the F1 paddock!”
However, some praised the sound of the new engines, likening it to the sound of the hybrid power units that are used by Le Mans prototypes. NBCSN’s Will Buxton also expressed his happiness with the new sound of the sport.
Also I love the sound. Get the microphones placed right on track and you will too. Plus for the first time I don’t have to shout in pitlane.
The arguments against the new sound are very similar to those lodged when F1 downsized from V10s to V8s and from V12s to V10s. It may merely be a case of getting used to it, and come the end of the year, we may not know any differently and not be as bothered by the sound difference compared to 2013.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”