Force India team owner and team principal Vijay Mallya was in a jubilant mood following Sergio Perez’s podium finish in today’s Bahrain Grand Prix, which was just the second in the team’s seven year history.
Perez started in fourth place and raced well to fend off Red Bull’s Daniel Ricciardo on the last lap of the race and finish on the podium for the first time since the 2012 Italian Grand Prix.
“It is a very special moment,” Mallya told the official Formula 1 website. “My job was always to make this team climb up the ladder – steadily. I always believed that 2014 – with all the new regulations – gave us a new opportunity. And so far what a good season it has been! We finished sixth in Australia, we improved to fifth in Malaysia – and I think I hinted in Malaysia that I hoped that we could improve further, and there you have it: the podium in Bahrain!”
Mallya spoke about a “jinx” that had blighted the team’s efforts in recent years. Nico Hulkenberg crashed out from the lead at the 2012 Brazilian Grand Prix, and Paul di Resta came close to a podium finish at last year’s Bahrain Grand Prix.
“Everybody in the team is absolutely delighted that we have finally achieved the podium,” he said. “Last year we were quite unlucky, but today the jinx is broken – and I would not mind if this is the start of a nice series of podiums.”
The team’s first podium finisher was Giancarlo Fisichella at the 2009 Belgian Grand Prix. In quite an odd occurrence, the team appeared to simply have the perfect car for that track on that particular weekend. The Italian driver claimed pole position, but was denied victory by a KERS-powered Kimi Raikkonen at Spa on that day.
Mallya hopes that the team can grace the podium once again at the next race in China, but he is refusing to get ahead of himself despite Force India lying second in the constructors’ championship.
“We are always trying to improve,” he said. “If we can repeat the podium, that would of course be fantastic. But it is so competitive here that it is not possible to predict anything. I think the only team that can make a sensible prediction is Mercedes because they are so much quicker than anybody else. But I don’t think that any other team can accurately predict where they will be.”
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”