The runs Kurt Busch had made up to Sunday in the No. 26 Suretone Honda for Andretti Autosport were solely single-car runs, where he had a chance to acclimate simply to the nature and handling of the lighter, less powerful IndyCar compared to the heavier, more brutal and higher horsepower NASCAR Sprint Cup Series car.
Sunday marked Busch’s first chance to run in traffic, in dirty air, in a moment he appreciated. He banked 31 laps on the day, with his fastest on lap 29 of 220.352 mph good for P12 on the time sheets.
“It was a nice rookie day to go play in traffic,” said the 2004 Sprint Cup champion. “The Andretti Autosport guys ramped up where we are with the levels, to get in dirty air. Today was a nice shakedown, and the second run was a baseline run. It was nice to have a champion, Ryan Hunter-Reay, take me around, and then with Munoz and E.J. Viso. It’s just neat to move to the next step, which is to go out there in dirty air and draft with teammates.”
Busch described the difference of running in traffic in NASCAR versus traffic in IndyCar as “times 10,” in IndyCar, so he could easily catch the car in front of them. With less horsepower, it’s a lot to digest.
“At 220 things are moving quick, but it’s a lot of fun,” he said. “Today I can draw a checkmark through the day as a successful rookie day in playing with dirty air. The next day we have to advance that, and the next day we have to advance it again. Thursday we’re going to look at taking downforce off the car to get into qualifying mode. We’ll see how it all pans out.”
Additionally, although there was talk of Busch doing his first IndyCar race last fall in the season finale at Auto Club Speedway, he was pleased he opted not to do so, citing a lack of proper preparation.
“I’m glad I skipped out on Fontana last fall,” he admitted. “That would have been like drinking through a funnel, more of a keg stand I think. Because of all the practice days, it’s going to help me get comfortable and digest the information. I think with just a one-day practice at Fontana last fall, it wouldn’t have been a good idea.”
Busch and the rest of the five-car Andretti Autosport effort resume practice on Monday.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”