Dale Coyne Racing pulled the upset in Saturday’s first race of the Shell/Pennzoil Grand Prix of Houston. But problems for both Race 1 winner Carlos Huertas and Justin Wilson in today’s Race 2 kept them from earning a Space City sweep.
After claiming his first Verizon IndyCar Series win less than 24 hours before, Huertas was the first to bow out of today’s event.
The Colombian started 12th, but on Lap 3, he suddenly slowed on track and took his No. 18 Cafe de Colombia Honda off-course.
Race strategist Darren Crouser told NBCSN that the car simply “shut off” and Huertas himself didn’t have an exact reason for the failure.
“I feel really good for yesterday and today is disappointing, but it is impossible to finish every race without having at least one problem,” said Huertas, who suffered the first DNF of his rookie season.
“Hopefully, we don’t have any more. It was strange because the car just shut off completely. It must have been an electrical failure or something but we don’t know right now. All in all, I am proud of our accomplishments this weekend.”
That left Wilson to carry the DCR banner and despite having problems on restarts, he was able to put his No. 19 Boy Scouts of America Honda in the Top 5.
But shortly after a restart with 24 laps to go, Marco Andretti made slight contact with Wilson while racing for fifth. It sent Wilson into the tire barrier at Turn 9 to trigger another yellow.
IndyCar chose to take no action regarding the incident. Wilson was able to keep going but finished one lap down in 12th.
“We struggled a bit on restarts, so guys were all over the back of me,” Wilson said of his day. “I knew that if I could hang on for a couple of laps I would get going and be quick again.
“Marco tried to come down the inside and it wasn’t really going to happen. He tried to get out of it and he just tapped me into the wall. He came down and apologized and said ‘I didn’t mean to do that.’ It is just racing.
“I know it was just a mistake and it is a shame but we kept going on when we were a lap down and we were trying to salvage any points we can.”
Andretti also tweeted apologies to Wilson following the race.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
Vicki Golden is not “fast for a girl”; she’s just fast. – 805 Beer
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
Vicki Golden has ridden a variety of disciplines in SuperMotocross, which gives her a unique perspective. – 805 Beer
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”
