As Mercedes scored its ninth pole position in ten races through Nico Rosberg, Williams once again proved itself to be the ‘best of the rest’ by qualifying second and third at Hockenheim.
Following Lewis Hamilton’s crash in Q1, Rosberg looked set to go unchallenged en route to pole position. Valtteri Bottas did give him a brief scare late on, but the Finn was happy to settle for second place, feeling that he could have not gone any quicker.
“Yeah, today we must be really happy with the result we got, second and third, well done to everyone,” Bottas said after the session on Saturday. “I think Mercedes is still ahead, but the lap I had at the end was no mistakes and a really nice lap, so really felt I got everything out of the car.”
For Felipe Massa, third place was almost a disappointment as he struggled to get a lap together during qualifying, but he is still happy to be fighting at the front alongside Bottas.
“I think I was struggling to put the lap together,” he said. “I had some movement from the tires and I was not able to have a perfect car, just to put all the sectors together.
“I was able to do one sector better in one way, the other sector better in the other way. The car was not 100 per cent perfect in terms of set-up to put the perfect lap and Valtteri did really a very good lap.
“But anyway I’m still quite happy with the result and I’m quite happy with our car and for sure in the race the conditions are completely different, the feeling of the car as well is different, so let’s try to a very good job tomorrow as well.”
Williams is currently enjoying a revival following a difficult period in the history of the team. Last season, Bottas and former driver Pastor Maldonado could score just five points in total, leaving the team ninth in the constructors’ and as the lowest-ranked scoring team.
This year though, everything has changed. Massa started on pole in Austria, leading an all-Williams front row, whilst Bottas has finished on the podium in the last two races. You would have to think that if Mercedes hits trouble in Germany as it did in Canada, this time it would be Williams who could pick up the pieces.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”