The Mazda Road to Indy had an all-hands on deck weekend in Toronto, with all three of the Indy Lights Presented by Cooper Tires, Pro Mazda Championship Presented by Cooper Tires and Cooper Tires USF2000 Championship Powered by Mazda having doubleheaders on the street circuit north of the border.
Spencer Pigot swept the Indy Lights races for Juncos Racing. For Pigot, they were his third and fourth wins of the season after also sweeping the Barber doubleheader in April.
Pigot inherited the lead in Saturday’s race one after contact between the then-top two of Nelson Piquet Jr. and RC Enerson, which launched Enerson into a scary-looking accident where the young American mercifully emerged unscathed.
Meanwhile Pigot survived a race in mixed, mostly wet conditions on Sunday, which was shortened to 30 laps.
Florian Latorre and Garett Grist each picked up their first wins of the Pro Mazda season in its two races, with Latorre’s win his first of his Pro Mazda career for Cape Motorsports with Wayne Taylor Racing, and Grist scoring his first with Juncos Racing after winning with Andretti Autosport last year.
Erstwhile dominant USF2000 drivers Jake Eidson and points leader Nico Jamin, two of that series’ top three drivers, split the USF2000 race wins in Toronto.
The top three in Indy Lights remain close heading into the final six races of the season. Jack Harvey still leads the Lights points by 11 over Pigot, with Carlin’s Ed Jones third and 26 in arrears.
In Pro Mazda, Santiago Urrutia holds a 30-point lead over Neil Alberico after the Toronto weekend, with neither having podiumed. Jamin leads Eidson by 16 points in USF2000.
All three series have an upcoming test at Mid-Ohio. Indy Lights tests June 29, Pro Mazda June 29-July 1 and USF2000 June 30-July 1.
Indy Lights’ next race in Milwaukee on July 12 and it has six races to go. Pro Mazda’s next race July 18 in Iowa; it only has five races to go. USF2000 has only five races to go as well, with a triple header at Mid-Ohio its penultimate weekend of action before Mazda Raceway Laguna Seca in September.
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”