Sunday’s Singapore Grand Prix was interrupted when a fan was found to have invaded the track during the grand prix, forcing officials to send out a safety car and slow the field down.
On lap 37 of the race, the stewards deployed the safety car despite there being no debris on track or cars in trouble, prompting confusion for those watching.
Race leader Sebastian Vettel quickly radioed his Ferrari team, saying: “There’s a fan on track!” to alert them to the intruder.
Track invaders are rare in F1, but this does mark the second incident of the season. During practice for the Chinese Grand Prix earlier this year, a fan ran across the main pit straight and to the garages, believing that his ticket to watch the session also included a drive in a Ferrari F1 car.
Will Power has had thousands of photos taken of him during his racing career by media, fans, family and friends.
But Power has never undergone the type of photos – and the sitting/modeling he took part in, posing for the image of him that will adorn the Borg-Warner Trophy, symbolic of Power’s win in this year’s Indianapolis 500.
Power on Thursday was at the Tryon, North Carolina studio of noted artist and sculptor William Behrends to complete the finishing touches on the clay model of his face and head.
From there, Behrends will create a miniature version of Power’s likeness to be placed on the Borg-Warner Trophy, which is set to be unveiled December 5 at the Indianapolis Motor Speedway Museum.
“It’s actually really cool to come in the first time and see your face there,” Power told MotorSportsTalk. “All the experiences that goes with the Indy 500 are just all great, and it’s amazing I’m sitting there getting my face sculpted to go on the Borg Warner.”
It’s a big day for @12willpower! We’re in Tryon, N.C. to begin sculpting his face for the @borgwarner trophy after his big #INDY500 win earlier this year. 🏆
“Oh, he’s a wonderful subject, just a very affable, easy-going guy,” Behrends said. “He was very good company during the sittings.
“These sittings I think, are rather difficult for the subject just because he’s just sitting there. I’m working, but the subject has to sit there for long periods of time.
“But Will’s very, very cooperative and very easy-going and we had some very nice conversations.”
Power will be the 29th image that Behrends has created for the Borg-Warner Trophy, dating back to his first effort in 1990 with Arie Luyendyk.
“It doesn’t seem like it, but it’s that many years,” Behrends said. “This is the only thing I do that I’ve done more than once. All of my pieces are one-of-a-kind. But it becomes a regular thing on my calendar of the Fall.”
Behrends explained how the process has worked for nearly the last three decades. It starts with taking photos the day after the Indy 500 to rough drafting and sculpting the model, to having the winning driver come to his studio to do some final touches (as Power did Thursday), and then taking the completed clay model and replicating it to be placed on the trophy.
“There’s really three different parts of the process for my work. I’ll spend 3-4 days here, and then two weeks later, I’ll spend a couple more days, so it’s broken up. I guess if I stacked it all together, it’d be about 2-3 (full-time) weeks’ work of different types.”
After Thursday, seeing the finished product that will eventually be placed on the trophy, Power now has yet another bit of inspiration and motivation to win the Indy 500 again.
“You understand everything that goes into winning that race,” Power said. “(To be on the trophy) will be a lot of great satisfaction and gives you a lot of motivation because you want to go through this process again because it’s such a cool process.”
Here are some more tweets from Thursday’s session at Behrends’ studio for Power:
William Behrends’ studio is like a museum. The artistic process is incredible.