Honor, privilege to call 100th Indy 500 not lost on Goodyear, Cheever

Cheever and Goodyear in 2001, then teammates. Photo: Getty Images
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The rare opportunity to call the television broadcast of the 100th Indianapolis 500 is not something lost on Scott Goodyear and Eddie Cheever Jr., who share the ABC broadcast booth with Allen Bestwick for their Verizon IndyCar Series telecasts.

Though fans may not see it and may critique their style and dynamic, both Goodyear and Cheever – two past drivers – have truly committed themselves from both preparation and presentation standpoints.

Goodyear celebrates his 15th consecutive call of the ‘500 this year, having been on air every year since 2002. His last start as a driver came in 2001, when Sarah Fisher and he collided on the first lap, which left Goodyear with a back injury.

The chance to call the ‘500 in 2002 came as a surprise then – Goodyear had had his first race call six years earlier under unusual circumstances at the 1996 U.S. 500 in Michigan – and the Carmel, Ind.-based Canadian admitted he’s surprised he’s been able to carry on the call this long.

“When I started this in 2002, after I got crashed out in 2001 at Indy and broke my back for the second time, they came to me and said ‘Why don’t you become an (TV) analyst?’” Goodyear told NBC Sports.

“I let it go for a few months and then they came back to me in November and I said, ‘Okay, I’ll try it for a year.’

“The kids were growing up and I’d been away from them so much (while racing). I wanted to slow down a little bit and my wife said, ‘You might enjoy it,’ so I signed for one year. And I really didn’t think it would be going on as long as it is.”

Cheever’s entry into the broadcast booth at Indy came six years later, in 2008, 10 years after his 1998 Indy race win. His last ‘500 start came in 2006, and this is his ninth ‘500 call.

He described his preparation process for the race.

“It’s an honor and great privilege to call the 100th,” Cheever told NBC Sports. “I have looked at the first race and from there it’s about studying whatever film I can see, whatever photographs I can look at, and whatever books I can read.

“I’ve dived into the first one, the Ray Harroun race, to look at it both from a driver and from the fans’ perspective, and gone from there.”

Being part of an Indy 500 TV broadcast is a lot like being behind the wheel, Goodyear said.

“You’re not driving a race car, but in a way a lot of it is wrapped around like driving a race car,” Goodyear explained. “In a race car, it’s going, going, going and you’re multitasking. When the light goes yellow, you’re talking to your pit lane and have a conversation about what you’re going to do when it goes back to green.

“In television, when it goes on-air live, you’re going, going, going and multi-tasking because you’re watching everything that’s going on, and then when it goes yellow and you go to a commercial, you’re talking with the truck, not the pit box, and you’re coming up with what’s coming up in the future.”

Goodyear’s learned quite a lot about TV in the process.

“For me, it was an adrenaline rush in a sense, and I’ve learned a lot about television as I’ve gone through and how to get to our demographics and our fans,” he said.

“The thing is, I just didn’t think I’d be doing it as long as I am. It’s gone by quickly and on the other side, I now have more respect for the drivers and what I did because I didn’t realize it when I was doing it.

“You’re so consumed by it and you think it’s natural and that a lot of people can do it, and then the world’s going slow for you at Indy driving over 230 mph.

“I now have more respect being in the booth, watching what’s going on, how close the wheels are on oval races and how hard it is to win. So I have much more of a respect for our sport now in television than I probably had when I was driving.”

For Goodyear, who famously came up short three different ‘500s (1992, 1995 and 1997), having the opportunity to understand what race morning is like from another perspective is what makes the race for him.

“The overall event makes the race for me, in a sense. I didn’t know all the spectacle and pageantry that went on with the 500,” he admitted.

“The first year I did it, I was working it with Paul Page. He said to come early and see everything’s going on. … So I came early and I see from 6 o’clock (a.m.) onwards, everything starts to fill in, the people start to fill in, it’s like a time image. I said, ‘Hey look at this!’ and he let me go on for an hour. He said, ‘I told you’, and it was like I get it.

“Jim Nabors was there singing ‘Back Home Again In Indiana’, there was the National Anthem and the flyover – if you didn’t get goosebumps and something rushing through your body, you don’t have a pulse. To me, this was a much bigger event than I realized when I was driving it. It’s really pretty cool.”

Cheever, the 1998 winner, reflected on the fact the commentators have to understand the importance of the race because they’re a huge part in living and telling history.

“I think the Indianapolis 500 is one of the great American institutions,” he said.

“There’s not many events that have even half the longevity. We just celebrated the 50th Super Bowl. It’s something the whole world knows as very American.

“It’s a document left long after I’m gone.”

Vicki Golden and 805 Beer tell a unique story from an Inverted Perspective

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Vicki Golden has earned a career worthy of a thousand stories and 805 Beer tells at least one of them, as “Inverted Perspective” premiered March 30 on the company’s website and YouTube channel.

Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”. 

At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.

Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California. 

Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.

“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”

805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”

Golden took the question as a blank canvas to map out the highs and lows of her career and life. 

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The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general. 

“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said.  “It’s inspiring someone to think in different ways. It sums up my life.”

Vicki Golden is not “fast for a girl”; she’s just fast. – 805 Beer

While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself. 

“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”

Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.

Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg. 

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Golden 805 Beer
Vicki Golden has ridden a variety of disciplines in SuperMotocross, which gives her a unique perspective. – 805 Beer

“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle. 

“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”

The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective. 

“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.

“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”