Big wreck collects Hinchcliffe, Vautier, and more in Texas (VIDEO)

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The Rainguard Water Sealers 600 from Texas Motor Speedway has been red flagged 154 laps in due to a huge pileup involving several cars in turns three and four.

James Hinchcliffe, running in the top five at the time, was pinched in between Tony Kanaan and teammate Mikhail Aleshin entering turn three and broke loose. While he tried correcting it, he collected Aleshin and Tristan Vautier, with all three cars impacting the outside wall.

In the aftermath, Carlos Munoz, Ed Jones, Ed Carpenter, JR Hildebrand, and Ryan Hunter-Reay were all caught up trying to avoid the wreck.

GANASSI, HINCHCLIFFE AND ALESHIN WEIGH IN

Kanaan’s team owner Chip Ganassi offered this viewpoint to NBCSN’s Katie Hargitt: “(Hinchcliffe) crashed in the pit lane (early in the race), he stuck his nose in that situation, why didn’t (he) stay right there? Instead he gets pushed into Tony.”

A frustrated Hinchcliffe told NBCSN’s Marty Snider that Kanaan moved up into him entering turn three. “I got a run off turn 2, (Kanaan) comes over, 2.5 car widths, he drives me straight into Mikhail. We were 3-wide. Spotter didn’t tell him, or he didn’t care. He usually doesn’t race like that,” he explained.

Told by Snider that Ganassi blamed Hinchcliffe, the Canadian promptly retorted, “That’s adorable.”

Aleshin, who was on the outside, explained that he felt like an innocent bystander. “I thought we’d all stay together. But then James touched with Kanaan and basically we all crashed. I thought we’d make it in three lines. James was there, Kanaan was there, and I didn’t understand what was going on. I gave space to them,” he told NBCSN’s Robin Miller.

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In total, only 11 cars are left running following the wreck, and a visibly frustrated Dale Coyne, who saw both of his cars (Vautier and Jones) caught up in the accident, was seen having words with Tony Kanaan about the incident during the red flag.

Both Ed Carpenter Racing crews were trying to repair their Nos. 20 and 21 Fuzzy’s Vodka Chevrolet. Here were Carpenter’s and JR Hildebrand’s quotes.

Hildebrand: “Hinch got stuck in the middle. A few guys got three-wide. Two of the three ended in the wall. I was right behind Ed Jones. He jammed on the brakes. We were running so close. Even we broke at same time I had mad aero wash. We had a great second stint. The Fuzzy’s Vodka car was working great. I’m totally confident we would have hauled it back to the front.”

Carpenter: “For as big of a crash at it was it wasn’t that bad. We’ll try to pick up a few points and pass a few cars. It was a wild night.”

Both Dale Coyne Racing cars were taken out. Here was Tristan Vautier and Ed Jones’ comments:

Vautier: “There was nothing I could do. They tangled in front of me. It’s just a bummer. We could have fought for the win. I wanted to finish the race for my return. I raced hard. I wanted a solid finish. I’m kind of pissed off. I think we can be proud. We represented Seb well.”

Jones: “I got hit from the rear. I had so much fun out there. But some others didn’t respect the others, and that’s what caused the incident.”

Ryan Hunter-Reay and Carlos Munoz were also involved in the accident for Andretti Autosport and AJ Foyt Racing.

Hunter-Reay: “I don’t know what I have to do. We spent the rest of the night trying to claw back. We missed the equation. This deal happened. Guys made too many moves late into the car. I’ll save my opinion after I look at it but sparks everywhere, I high-sided and came out a passenger from there. You can’t jump on the brakes in these cars 220 into the corner. I like it when races come down to handling. Lot of crazy moves. I was having fun.”

 

Munoz: “We were in the top 10, but needed a bit more speed. What can we say. We started last because we missed tech. I wanted to give a good race for my mechanics. It’s the most competitive car we’ve had this season. We kept running with the front guys. In ovals, when you have a multiple car crash, there’s nothing you can do.”

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Vicki Golden and 805 Beer tell a unique story from an Inverted Perspective

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Vicki Golden has earned a career worthy of a thousand stories and 805 Beer tells at least one of them, as “Inverted Perspective” premiered March 30 on the company’s website and YouTube channel.

Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”. 

At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.

Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California. 

Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.

“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”

805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”

Golden took the question as a blank canvas to map out the highs and lows of her career and life. 

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The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general. 

“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said.  “It’s inspiring someone to think in different ways. It sums up my life.”

Vicki Golden is not “fast for a girl”; she’s just fast. – 805 Beer

While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself. 

“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”

Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.

Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg. 

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Golden 805 Beer
Vicki Golden has ridden a variety of disciplines in SuperMotocross, which gives her a unique perspective. – 805 Beer

“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle. 

“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”

The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective. 

“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.

“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”