Photo: Magnus Racing

Magnus brings in ‘hired gun’ Spencer Pumpelly for Mid-Ohio

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With Mansfield, Ohio the home of the prison in The Shawshank Redemption in the Ohio State Reformatory (also known as the Mansfield Reformatory) and with Magnus Racing PR ace and “Dinner with Racers” co-creator Sean Heckman one of two who’ve coined the inside joke that Spencer Pumpelly allegedly tried to kill a guy, it was only natural that Pumpelly will play the role of Magnus Racing’s “hired gun” near the prison at the Mid-Ohio Sports Car Course for Pirelli World Challenge competition this weekend.

The joke stems from the first season of “DWR” and was a running joke throughout the season. The “hired gun” play-on-words riffs on the fact Pumpelly will be substituting for Pierre Kaffer in the team’s No. 4 Audi R8 LMS this weekend, with Kaffer on duty at the Total 24 Hours of Spa-Francorchamps for Audi Sport.

Pumpelly has raced alongside Kaffer and Dane Cameron in PWC SprintX competition this season – Pumpelly and Cameron actually won the second race of the weekend at Lime Rock Park – and now the veteran sports car driver and Atlanta native will make his first PWC Sprint starts of the year, and first since his similar fill-in role with Heckman’s “DWR” co-creator, Ryan Eversley, at RealTime Racing last year… which also started at Mid-Ohio.

“It’s great to have Spencer back in the team,” stated Magnus Racing team owner and driver John Potter, who is in the team’s No. 44 Audi in GTA. “Spencer has always fit right in with us, but driving the team to our first series victory of course sealed a very special place for his legacy with us. We’re hoping Mid-Ohio suits both Spencer and the No. 4, and hopefully we can repeat the same feat.”

“It’s great to return to the team,” stated Pumpelly. “Obviously our last race together went extraordinarily well, and we’re hoping that same momentum can continue in to Mid Ohio. It’s always tough to say what to expect, especially in these very frantic sprint races, but we’re optimistic that the circuit should suit us. The entire team at Magnus has done a great job putting this effort together, and we look forward to pushing for additional results.”

See Will Power ‘in the flesh’ as he’ll appear on Indy 500-winning Borg-Warner Trophy

Matthew Thacker
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Will Power has had thousands of photos taken of him during his racing career by media, fans, family and friends.

But Power has never undergone the type of photos – and the sitting/modeling he took part in, posing for the image of him that will adorn the Borg-Warner Trophy, symbolic of Power’s win in this year’s Indianapolis 500.

Power on Thursday was at the Tryon, North Carolina studio of noted artist and sculptor William Behrends to complete the finishing touches on the clay model of his face and head.

From there, Behrends will create a miniature version of Power’s likeness to be placed on the Borg-Warner Trophy, which is set to be unveiled December 5 at the Indianapolis Motor Speedway Museum.

“It’s actually really cool to come in the first time and see your face there,” Power told MotorSportsTalk. “All the experiences that goes with the Indy 500 are just all great, and it’s amazing I’m sitting there getting my face sculpted to go on the Borg Warner.”

Power discussed the procedure Behrends went through with him.

“He took photos the day after the race, multiple ones, all the way around my face, the whole periphery of it,” he said. “And then he started sculpting the clay face we see right now, my head.

“And then he had me sit there to get it closer. It’s pretty good as it is, but yeah, he sits there and works on it until he thinks it’s right-on. That’s why he had me there in-person.”

Does it look like you, Will?

“Yes, yes. It was funny, because you’re always looking in the mirror and it’s a reverse of your face,” he said. “No one’s face is completely symmetrical.

“It is funny seeing yourself for the first time like you can almost say in the flesh, an actual model of your face and it looks different from what you expect.”

Power was a perfect subject, Behrends said.

“Oh, he’s a wonderful subject, just a very affable, easy-going guy,” Behrends said. “He was very good company during the sittings.

“These sittings I think, are rather difficult for the subject just because he’s just sitting there. I’m working, but the subject has to sit there for long periods of time.

Will Power watches as sculptor William Behrends puts the finishing touches on the clay molding of Power’s face and head. Photo: Matthew Thacker.

“But Will’s very, very cooperative and very easy-going and we had some very nice conversations.”

Power will be the 29th image that Behrends has created for the Borg-Warner Trophy, dating back to his first effort in 1990 with Arie Luyendyk.

“It doesn’t seem like it, but it’s that many years,” Behrends said. “This is the only thing I do that I’ve done more than once. All of my pieces are one-of-a-kind. But it becomes a regular thing on my calendar of the Fall.”

Behrends explained how the process has worked for nearly the last three decades. It starts with taking photos the day after the Indy 500 to rough drafting and sculpting the model, to having the winning driver come to his studio to do some final touches (as Power did Thursday), and then taking the completed clay model and replicating it to be placed on the trophy.

“There’s really three different parts of the process for my work. I’ll spend 3-4 days here, and then two weeks later, I’ll spend a couple more days, so it’s broken up. I guess if I stacked it all together, it’d be about 2-3 (full-time) weeks’ work of different types.”

After Thursday, seeing the finished product that will eventually be placed on the trophy, Power now has yet another bit of inspiration and motivation to win the Indy 500 again.

“You understand everything that goes into winning that race,” Power said. “(To be on the trophy) will be a lot of great satisfaction and gives you a lot of motivation because you want to go through this process again because it’s such a cool process.”

Here are some more tweets from Thursday’s session at Behrends’ studio for Power:

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