Petit Le Mans weekend, Thursday practice and notes

Photo courtesy of IMSA

BRASELTON, Ga. – It’s been a busy 13 hours of track activity from Road Atlanta at Motul Petit Le Mans, with a mix of practice, qualifying and race activity.

Quick notes and results links are below.


  • The No. 90 VISIT FLORIDA Racing Ligier JS P217 Gibson and No. 6 Team Penske Oreca 07 Gibson topped the charts in the day’s first two practice sessions, with the VISIT FLORIDA Ligier up top in the morning and the Penske Oreca up top in the afternoon. (Practice 1, Practice 2)
  • Night practice saw a third different car up top in the No. 2 Tequila Patron ESM Nissan Onroak DPi (Practice 3)
  • C360R (Practice 1) and KohR Motorsports (Practice 2) topped Continental Tire SportsCar Challenge practice in GS, with the CRG-I Do Borrow Nissan Altima leading both sessions in ST.


  • In the first of two Prototype Challenge races, winners were Kenton Koch (LMP3) and Kyle Masson (MPC) this afternoon (Results).
  • Jake Eidson, the series champion and Haywood Scholarship recipient, won the first of two Porsche GT3 Cup races (Results).


  • In night practice, the nine GT Le Mans cars all eclipsed last year’s best race lap, the top three cars were all under last year’s pole time, and from first (No. 25 BMW Team RLL BMW M6 GTLM, 1:17.818) to ninth (No. 911 Porsche 911 RSR, 1:18.508) were covered by a marginal 0.690 of a second!
  • Both Christina Nielsen and Katherine Legge, who have been podium regulars this year in the GT Daytona class, are among the free agent list of drivers among those working to figure out what they’re doing next year after this weekend. Nielsen is poised to wrap her second straight GTD title with Scuderia Corsa this weekend with co-driver Alessandro Balzan in the team’s Ferrari 488 GT3, and the soon-to-be two-time defending champions are free agents. Legge, meanwhile, has won twice this year co-driving with Andy Lally in the No. 93 Michael Shank Racing Acura NSX GT3, and would be an asset to any GT or Prototype team given her extensive experience in both categories.
  • Besides the champions-elect, there’s a general indication within the paddock that a number of drivers in the GTD class are free agents for next year. Little is set yet in the class, which could see a car count reduction from the 15 usual full-time entries this season.
  • Riley Motorsports seeks to return to running two of the same GTD cars in 2018, after a midseason switch by the Cooper MacNeil and Gunnar Jeannette pairing from a Mercedes-AMG GT3 to a Porsche 911 GT3 R.
  • Juan Pablo Montoya has shifted from testing the new 2018 Dallara universal aero kit IndyCar to the Oreca 07 Gibson this week. Having driven both the Oreca and the Acura ARX-05 at Road Atlanta thus far, Montoya told NBC Sports that the Oreca compares favorably and seems better suited to this track. As for the Acura, Montoya noted it’s different being a purpose built manufacturer prototype vs. a customer car, which can be acquired for pro-am lineups.
  • The presentation Team Penske has displayed this weekend is markedly different from every other team in the paddock. The Penske crew, which could be seen cleaning and shining the car as night practice was still ongoing, had pit signs that separated its pit location from the walkway behind it, as the only team in the field with this type of barrier. These are common in Verizon IndyCar Series pit lanes, but not in IMSA.
  • Porsche factory stars Nick Tandy and Earl Bamber are back this weekend. With the pair as yet unsure where they will be placed next season following the impending end of the Porsche 919 Hybrid LMP1 program – Porsche usually announces its lineup at its season-ending Night of Champions event in Germany in December – both told NBC Sports they would love to make racing returns on a more regular basis to the U.S. if they present themselves. Further breakouts with both will follow.
  • Gustavo Menezes makes his first IMSA Prototype start of the year (ran Rolex 24 at Daytona with 3GT Racing in a Lexus RC F GT3) the young Californian having starred in the FIA World Endurance Championship with the Signatech Alpine team over the last two years and as part of the Oreca 07 entered by Rebellion Racing. Menezes told NBC Sports he concluded a late deal to be in the car as third driver. Like others within the paddock, he’s not quite sure his plans for 2018 as yet, but he’d be an asset as a rare young American driver with significant prototype experience at his disposal.
  • It’s actually Sheldon van der Linde, not Kelvin van der Linde, as third driver along with Connor De Phillippi and Christopher Mies in the No. 29 Montaplast by Land-Motorsport Audi R8 LMS. The younger van der Linde, Sheldon, is a Silver-rated driver while the older one, Kelvin, is not, and therefore would disqualify the car per the regulations as two Silver or Bronze-rated drivers are needed in a three-driver lineup.
  • Kyle Masson (Mazda Prototype Challenge, MPC class) and Trent Hindman (Continental Tire SportsCar Challenge, GS class) are bouncing between the WeatherTech Championship paddock and another series this weekend.
  • 2004 Indianapolis 500 champion Buddy Rice, full-time driver in the No. 20 BAR1 Motorsports Oreca FLM09, noted he flew in early enough to ensure he could watch his beloved Arizona Diamondbacks topple the Colorado Rockies on TV here in Atlanta in the National League Wild Card play-in game.
  • John Falb makes his first IMSA PC start since the Rolex 24 at Daytona in the class finale, third driver in the No. 26 BAR1 Motorsports Oreca FLM09 alongside Garett Grist and Tomy Drissi. Grist, the young Canadian, makes his third PC start of the year (Sebring, Canadian Tire Motorsport Park).

More to follow tomorrow.

Vicki Golden and 805 Beer tell a unique story from an Inverted Perspective


Vicki Golden has earned a career worthy of a thousand stories and 805 Beer tells at least one of them, as “Inverted Perspective” premiered March 30 on the company’s website and YouTube channel.

Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”. 

At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.

Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California. 

Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.

“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”

805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”

Golden took the question as a blank canvas to map out the highs and lows of her career and life. 

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The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general. 

“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said.  “It’s inspiring someone to think in different ways. It sums up my life.”

Vicki Golden is not “fast for a girl”; she’s just fast. – 805 Beer

While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself. 

“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”

Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.

Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg. 

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Golden 805 Beer
Vicki Golden has ridden a variety of disciplines in SuperMotocross, which gives her a unique perspective. – 805 Beer

“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle. 

“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”

The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective. 

“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.

“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”