The road course in Austin, Texas, will be open Sunday, May 10 to collect donations for the Central Texas Food Bank, which is aiding those in need during the novel coronavirus (COVID-19) pandemic.
Fans are being encouraged to donate online or by bringing non-perishable items to touchless locations in the COTA garages.
The track will open up its 3.4-mile layout for fans to drive in their personal cars at 20 mph from noon to 5 p.m. CT.
Here’s the release from COTA:
On Sunday, May 10, for the first time ever, Circuit of the Americas (COTA) will open the track to support those in need on behalf of Central Texas Food Bank. COTA will collect donations and allow guests a once-in-a-lifetime opportunity to take a drive on the world-famous 3.4-mile track. This will be a parade of unity, hope and fun for the Central Texas community. The event will be from noon to 5 p.m. CT and is open to the public.
“We’re grateful to our community for the many years of support and know that when this crisis ends, we’ll again unite in times of celebration, friendship and fun,” commented COTA Founder and Chairman, Bobby Epstein. “Thanks to the health care workers, community leaders, volunteers and everyone who makes an effort to help a neighbor, friend or stranger. Special appreciation goes out to our employees at COTA who are working to make this event possible. We’re all in this race together.”
Central Texans are encouraged to show their support by donating money online or by donating cash or dropping off non-perishable items on-site via “touchless” locations in the COTA garages. $1.00 can produce up to four meals for Central Texans. COTA partner Germania Insurance will join the fight against hunger and match up to $10,000 of donations. COTA and Austin Bold FC will also match Germania’s donation to $10,000. Donations are recommended, but not required to participate in the on-track parade.
For more information on Circuit of The Americas and the COTA Food Drive initiative, please visit www.thecircuit.com.
Vicki Golden and 805 Beer tell a unique story from an Inverted Perspective
Golden did more to break the glass ceiling in SuperMotocross than she ever thought possible. She knows this because riders have never felt the need to explain any of her accomplishments with the disclaimer, “for a girl”.
At this point in Golden’s career, she’s been the first woman to finish top 10 in AMA Arenacross Lites, the first woman to qualify in the Fast 40 in Monster Energy AMA Supercross and the first woman to compete in freestyle Moto X competition, earning a bronze medal by doing so.
Her love for moto came from childhood while she watched her dad and brother ride. By seven she was on her bike and making waves throughout Southern California.
Golden, 30, is still madly in love with the sport and has no plans on moving away but her career is already one to talk about. 805 Beer’s film series wanted to do exactly that.
“I’m taken aback by it all,” Golden told NBC Sports about the documentary. “It’s just crazy to see your story, it’s one thing to live your life and battle everything that comes about but it’s another to just sit there and talk about it.”
805 approached Golden about the feature by asking, “Do you even realize that what you do, and your story is special?”
Golden took the question as a blank canvas to map out the highs and lows of her career and life.
The title “Inverted Perspective” came from a brainstorming session with Dominick Russo and it highlights Golden’s outlook on the sport of SuperMotocross and her life in general.
“My whole life, my whole career was thinking differently and looking at things that shouldn’t be done and aren’t there, while being able to make a place for myself, where no one thought there should be a place,” Golden said. “It’s inspiring someone to think in different ways. It sums up my life.”
Vicki Golden is not “fast for a girl”; she’s just fast. – 805 Beer
While Golden is no stranger to the spotlight, this was the first time she’s been fully involved with the storytelling and creation of a feature about herself.
“It’s not like a full new experience,” Golden said. “Obviously, you get your standard questions about your upbringing and accomplishments, but I’ve never really put into perspective things that happened in my past with my dad and putting that to light. Also, certain other things that maybe got overlooked in previous interviews or films. I wanted to touch on these and Dom wanted to create a story. It’s just cool to see it come to light, it’s a nearly impossible thing to tell somebody’s life story in 40 minutes.”
Golden’s father was left paralyzed after an ATV accident, robbing him the opportunity to ride again. This happened a few months before the father-daughter duo was set to compete in the Loretta Lynn’s Amateur Nationals when Vicki was 12. While she might have been unable to grasp the severity at the time, it’s something she carries with her. Golden continues to ride in his honor.
Years later, an accident in 2018 nearly sidelined the then 25-year-old Vicki when a freestyle accident almost resulted in the amputation of her lower leg.
Vicki Golden has ridden a variety of disciplines in SuperMotocross, which gives her a unique perspective. – 805 Beer
“Inverted Perspective” highlights her father’s diligence in helping Vicki continue with her career and the kindness and strength he carried while fighting his own battle.
“My dad was the entire reason that I started riding in the first place,” Golden said. “So, to honor his memory and to honor what we went through and how hard he pushed to keep our dream alive and keep everything going – in that sense then, it was really special to be able to honor him and talk about him.”
The 40-minute feature was filmed entirely in black and white, a stark contrast from the oversaturated world of motocross where the brighter the suit the easier it is for fans to find their rider and follow him in the race. By filming in monochrome Russo and Golden had the chance to focus on the race and track from a different perspective.
“It was cool to be able to film it differently,” Golden said. “It created a challenge in the sense of what was going to be more visually impactful for the film.
“I couldn’t be here without the companies that back me but at the same time, it’s not like the logos or colors disappeared, it’s just different lights shed on different spots. It’s just a cool way to do it and to take color away and still be impactful. When you think of black and white, you think of old school, the OG way of doing things.”
